Nile Monrose

  1. Art Direction
  2. Graphic Design
  3. Photography

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©2025

Art Direction



3rd Half


3rd Half, a creative studio Nile co-founded, offers a space to create on his terms while converging design, art direction, and hands-on experimentation. Every project starts as an idea and evolves into something tangible—digital, printed, or physical.







From a Shed in LA is the first project of 3rd Half. Every element, from digital design to screen printing, was developed in-house, built entirely within the shed. The same space that shaped the collection now becomes the only place it feels right to return to.




The collection, From a Shed in LA, is crafted from premium Spanish cotton, chosen for its texture and durability. Each piece was hand-cut and sewn, ensuring that every detail aligns with the collection’s focus on craftsmanship and authenticity.




By flipping the narrative on typically overlooked care labels, it became the foundation of the design to further reinforce the idea that every part of the garment holds value. As a result, a tag isn’t just functional but rather an intentional element of the piece.




From a Shed in LA was an introduction to the world and an honest reflection of where 3rd Half began. It felt only right to return to the shed—the place where the idea took shape—and use it as the backdrop of the collection. More than just a setting, it represents the core values of humble beginnings and the endless chase of the designer’s dream.


3RD HALF CHESS



The Chess Project moves beyond 3rd Half’s screen printing foundation with the idea that design isn’t limited to one method or medium, using recycled materials to create something new that can stand on its own.



Paying homage to a game that instills childhood nostalgia while elevating it through recycled materials.





For the chess table, we pushed the idea of repurposing materials even further. The legs are made from old squeegees—tools once used to push ink, now supporting the foundation of the piece. Staying true to the screen printing roots, we burned the design directly into a screen, keeping the process embedded in the final work. To bring it all together, we custom-cut a glass top, adding a refined finish that contrasts the raw, utilitarian elements beneath it.







With the help of one of the oldest Sunday chess communities, the project was put to the test in the wild, reinforcing the idea that design isn’t solely about aesthetics, but about function, interaction, and lived experience.